In Preparation for the Blackstone Festival and visiting Gallery buyers, paintings have been stretched and hung to Maximum effect!... The Gallery wall has been received with great adoration from our Artists, instilling a great sense of achievement. There is nothing more satisfying then spending a whole week on a work and then standing back, having a look, and then, saying "finished!"
Apr 30, 2009
Gallery Wall
In Preparation for the Blackstone Festival and visiting Gallery buyers, paintings have been stretched and hung to Maximum effect!... The Gallery wall has been received with great adoration from our Artists, instilling a great sense of achievement. There is nothing more satisfying then spending a whole week on a work and then standing back, having a look, and then, saying "finished!"
The Blackstone Reading Room
Madeleine's hanging system
Apr 23, 2009
Rosie Lane
Rosie Lane, a young vibrant painter with a brighter future ahead. Thick detailed, purposefully dotted paint. Marks dropped from a touch of a stick, a heavily textured surface, a feast for the eyes and purposefully suited to Rosie's vibrant personality, not to mention her colourful dress sense. Always painting with a smile, a production of happiness translated directly to the viewer, with artworks to lighten up any dull mood. Rosie is as her name is and her artworks are as cheerful and uplifting as a desert storm is to the parched land - bringing life to everything she touches.
Apr 15, 2009
Nora Davidson - Featured Artist
Nora was born near the Community of Jameson where her family holds the story for Illurpa. Nora now lives at Blackstone with her family and enjoys the traditional life offered here and is a regular visitor to the Blackstone Art Centre. Her paintings have come a long way in the past couple of months showing a contemporary innovating style with lush, vibrant dotting. When artists such as Nora paint every day with works improving with every canvas offered to her, something magical happens. A Break-through work!
At the Blackstone Art Centre, we talk about the world money crisis and its effects on painting sales. Then we discuss what is important about painting, and how the stories and knowledge of the country painted is vital to the future success of any artist. We talk about painting the POWER back into painting and... every now and then a painter steps up and paints somthing magical.
The work shown here depicts, sand dunes, bush foods and spinifex grasses and rock holes. Nora tells me that the rock holes shown are very important to her family and that she has depicted the two middle rock holes with blue showing that they are 'living water' and that the water flows from them more than the others which will dry up when there is no rain. She explains that the green has been painted to depict more growth near where the water flows and with that growth, there is an abundance of bush foods.
Nora has taken the ideas of her country and the stories she was told as a young girl and depicted them elegantly with a depth of knowledge, subtle yet sacred and vital to her ancestors way of life. Nora is proud of this work and has understood the painting medium to be used to powerfully covey her bush past. The colours are rich and textural conveying her love of country, and purposefully explored to allow others a glimpse of her heritage and willingly shares her living knowledge with others. We are lucky to have such a wonderfully gifted artist painting for Papulankutja Artists, playing her role to keep our culture and Art Centre STRONG!
Painting the Power back into Painting

Image painted by Ruby Reid
Hello Friends of Blackstone!
We have reached a turning point at Papulankutja Artists. We have had strong cultural leaders pass away, some have moved into respite and others have simply moved to another community. With this great loss over time, the art works of Blackstone Community have been in a fragile state. The strength of our artworks relies on the strong cultural knowledge which accompanies them and with the loss of strong leaders, the knowledge grows weak and the power felt and seen in an art work is lost. The previous Manager of Papulankutja Artists, Dianna Isgar has achieved wonderful results in setting up a platform for a new generation of artists to step up. With her vision and efforts the new Art Centre Building was built, and now a fully realized creation, this building is a haven for men and women of all ages to participate in cultural knowledge and art. Accompanying the new building is the enthusiasm of the artist, who have slowly and surely stepped up from strength to strength, painting the power back into the painting.
We talk about this power, how the dotting of the spinifex in country mirrors the dotting of the brush on canvas. The way colours in country work well together and how the same colour patterns can be conveyed with paint. We talk about the important symbols in the story and how to make these symbols stand out, using the right colours and textures of paint to highlight those powerful symbols and markings. An important aspect of Blackstone art is the concept of track making, tracks of ancestral beings and tracks of animals important to the storyteller. These tracks dance along the painting as in the ceremony accompanying the story, or the tracks may have a serious presence, marked out with broad sweeping brush strokes. Tracks are fine and detailed or they are thick and lush with dotted texture.
On closer review of the Blackstone paintings, artists have never really lost the power portrayed by those strong leaders of the past, they have just been waiting for the right platform and the right encouragement to move forwards. People of Blackstone community have an incredible wealth of knowledge, but as a genuinely humble people, they have been waiting to step up as strong painters, allowing those who have gone before them to lead the way.
And now the time has come.
We have young artists showing natural talent for colour and composition and the more mature men and women are strengthening their works on a daily basis. Artists in Blackstone work hard at painting and work well, and some have shown that the power in painting never left us. Papulankutja Artists are genuine story tellers with a natural ability to paint and share their culture through vibrant, strong, powerful works and we hope to meet and share these powerful works with any friends that show a genuine interest in our Blackstone Community and our Art Centre.
Mar 23, 2009
Mar 19, 2009
Come enjoy the fun of the Blackstone Festival!
Pukurlpa-la Lurrtjurriwa Papulankutjala!
Come enjoy the fun of the Blackstone Festival!
Tuesday 5th May to Saturday Saturday 9th May 2009
Come bring your swag and spend a few days with us at Blackstone!
• We will open the evening with a community BBQ on Tuesday evening.
• There will be the usual fun with art and craft, Glass Jewellery Making with Gerry and Tarn from Margaret River.
• Special – New Art centre Building- GRAND OPENING!
• A special school's Performance Programme run by Nicky and Margo.
• Art Centre Art Market – Calling on all art centres to bring works for display and sale!!!
• Events co-ordinator Jodie Lane (who used to work in the Blackstone Art centre) will be here to organize a Women’s dancing event.
• There will be a Second-hand cloths market, so come find a Bargin!
• Come dance at the Friday night Disco!!! … and dance like no one is watching!
• Art Centre business with Desart later in the week with a surprise Desart workshop!
• A raffle will be drawn with Prizes Donated from the Blackstone SHOP - $1 a ticket WIN a Microwave!!! WIN a DVD PLAYER!!! WIN a TOY ROBOT FOR THE KIDS!!!! : ) !
• Continuing over the weekend with inter-community Youth Sports. Activities coordinated by Brett of the Ngaanatjarraku Shire youth Team.
• We are calling upon volunteers for the very popular beauty salon!!! Contact us Now!!!
For Further Information and Bookings Contact : Anthony at the ART CENTRE
Phone: 08 8956 7586
Email: artists.papulankutja@bigpond.com
Come enjoy the fun of the Blackstone Festival!
Tuesday 5th May to Saturday Saturday 9th May 2009
Come bring your swag and spend a few days with us at Blackstone!
• We will open the evening with a community BBQ on Tuesday evening.
• There will be the usual fun with art and craft, Glass Jewellery Making with Gerry and Tarn from Margaret River.
• Special – New Art centre Building- GRAND OPENING!
• A special school's Performance Programme run by Nicky and Margo.
• Art Centre Art Market – Calling on all art centres to bring works for display and sale!!!
• Events co-ordinator Jodie Lane (who used to work in the Blackstone Art centre) will be here to organize a Women’s dancing event.
• There will be a Second-hand cloths market, so come find a Bargin!
• Come dance at the Friday night Disco!!! … and dance like no one is watching!
• Art Centre business with Desart later in the week with a surprise Desart workshop!
• A raffle will be drawn with Prizes Donated from the Blackstone SHOP - $1 a ticket WIN a Microwave!!! WIN a DVD PLAYER!!! WIN a TOY ROBOT FOR THE KIDS!!!! : ) !
• Continuing over the weekend with inter-community Youth Sports. Activities coordinated by Brett of the Ngaanatjarraku Shire youth Team.
• We are calling upon volunteers for the very popular beauty salon!!! Contact us Now!!!
For Further Information and Bookings Contact : Anthony at the ART CENTRE
Phone: 08 8956 7586
Email: artists.papulankutja@bigpond.com
Mar 12, 2009
What me worry? An article about pizza, dirty boots and the state of change in the Australian Aboriginal Art Market.
“When industry norms start to die, people panic. It's difficult to change when you think that you must change everything in order to succeed. Changing everything is too difficult.” Seth Godin.
The art industry like many other business models is in a state of change. We can see the change in the faces of gallery owners, Art Centre Managers and buyers, who are wide-eyed and have their jaws slightly leaning to the south-west. Change is healthy. Change is the only thing we can count on. Change can free us from the very things that have been plaguing our industry over the last decade. The tower can be built as high as the stars but will only reach them with the never failing support of the earth.
The Tower of Pisa “began leaning to the southeast soon after the onset of construction in 1173 due to a poorly laid foundation and loose substrate that has allowed the foundation to shift direction. The tower presently leans to the southwest.” Wikipedia.
People may want their art centre or gallery situated on the top floor of the tower. Best views in town, with no Artists there to see it. Have you ever asked an Aboriginal Artist from the desert if they like living in a high rise apartment, 20 floors up? I have, and I got the darndest looks! What makes the business world want to climb? Some of us have been climbing floors all our lives, some of us have built our own buildings and then caught the lift to the top. Some people in the industry like having BBQ’s on the ground floor by the pool. Paintings are painted on ground level. The floors are swept and bills are paid on the ground floor. Bush trips don’t make sense when picking from the window herb garden on the 12th floor. Sure there is a water-proof plasma screen on the roof watching over the designer zen floor boards and the Backyard Blitz ‘shrubs in a tub’ look, but where are the goannas? Can’t see no tracks on fancy white carpet, just the ones my dusty boots dragged in.
Substrate is a layer of earth compacted and composed with different consistencies as the other layers above and below it – So do we want our industry to be built upon loose substrate like the tower of Pisa? Substrate layers are the very essence of what makes an Art Centre, the community, the country and the values. As easy as it is to find fault with other aspects of the market and worry about the on sale of works, these directions of blame will fix itself if, core values are re-evaluated so that each layer of substrate supports the other firmly from below. Sounds easy, but, the building has to fall before we can rebuild the support structures underneath it. The top artists, they will do fine, they have already reached the stars and are calling out to the rest of the mob to catch up. As for the rest of us, we have to get our hands dirty again, muddy up our boots, and the rest of the industry, they are relocating to bomb shelters, battening down the hatches and having a peek every now and then, is it over yet?
Change is good, keep what works and re-work it. Advertise our community spirit, enjoy the country again, open our eyes to the reasons why we became art centre managers in some of the most remote regions of the planet. If we look closely, we will find that we do not have to change much at all, just be open to the process of making art. The process of building up our art centres strong again, waiting for the return of the market and with it the high flying buyers! Adopt a dog and buy 20 litres of tick juice for them to bath in. Find out what a witchetty grub really tastes like – chicken, fish? Buy a new sat phone just for the fun of it. Make a gallery space where ever there is a wall to hammer a nail in. Have an artist competition judged on the best painting, the most cultural, the most colourful. Have prizes and cups of tea. We are very luck and extremely privileged to be where we are and apart of such a unique existence, so lets celebrate the change of the industry and its market, and keep that frown upside-down. Three cheers! We will be fine in 09!
Anthony Spry
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